Hunter Gatherer has just completed a six and a half day location shoot for the Heritage Lottery Fund. Travelling 1,700 miles around the UK we captured 71 interviews, and 650GB of HD footage to bring the HLF-funded projects' stories to life. Locations included: SS Great Britain in Bristol; Blaenavon's Forgotten Landscapes in Wales; Myatt's Fields Park in London; The Florrie in Liverpool; the Riverside Museum in Glasgow; the Whitworth Art Gallery in Manchester; Birmingham Archives; St Paul's Old Ford church in London; the National Waterways Museum in Ellesmere Port; Bo'ness in Scotland; and Abbott's Hall Farm in Essex.

The footage was shot in HD on DSLR cameras by two incredibly talented cinematographers – Dan Parkes and Tony Dean. Post-production has now begun so you should be seeing the results of this marathon shoot very soon.

As part of our re-branding of international serviced apartment company BridgeStreet, we produced a 60 second film to be used in presentations, exhibitions and online. The aim was to convey the essence of the brand while communicating the benefits that BridgeStreet brings – with brief snapshots into people's lives in their apartments and living life in the city. Shot in HD, in tandem with the stills shoot in London and New York, a range of scenarios covered BridgeStreet's three tier offer and diverse customer base. We needed a strong, unique and international house style for the new still and moving imagery we created for BridgeStreet so we brought in photographer Tyson Sadlo and his team to shoot it. Using the brilliant Canon 7Ds we could be sure that the moving footage matched the stills perfectly, ensuring consistency across all media – one of the reasons we have achieved such a strong look for BridgeStreet.

Actors were cast in New York and London to play BridgeStreet guests while apartments were scouted for the best and most representative locations. With much of the New York shoot taking place in public areas such as Union Square market, Central Park and a wonderful Tuscan bakery in Greenwich Village, permits and permissions had to be sought. As it turned out the New York shoot was a breeze, even though we packed a huge amount into one day. Everywhere we had amazing back-up and support from everyone at BridgeStreet – with some appearing in the film.